It All Came True – 1940


My Review

—A Great Comedy— 

Bogie Film Fix:

3.5 Bogie out of 5 Bogies! 

Director:  Lewis Seiler 

The Lowdown

A gangster on the run (Humphrey Bogart) hides out in a boarding house run by the mother of his nightclub’s piano player (Jeffrey Lynn). 

What I Thought

This is exactly the kind of movie that I was looking for when I started this journey – a thoroughly entertaining Bogart film that I’d never seen or read anything about.  

On top of that, I had one of those Ah-ha! moments with an actor.  My whole life I’ve heard people rant and rave about Ann Sheridan, but for some reason she’s never clicked with me.  I always figured that I’d just never seen the right movie, and now I have.  What a spitfire.  From her first entrance to her final song, she was amazing.  It makes me want to round up all of her movies that I haven’t seen yet and have a marathon. 

I worry that this may be one of those entries that I get a few negative responses over – perhaps even the one the gets my film blogging license revoked.  It All Came True isn’t rated spectacularly on IMDB or Rotten Tomatoes, but I feel like I’ve found a new movie for my top twenty.  Great cast.  Great direction.  Great timing.  I can’t say enough. 

There were lots of moments that reminded of the all-time great screwball comedies like Arsenic and Old Lace and Bringing up Baby – movies that were able to balance wonderful gags with just enough pathos to keep me hooked on the characters.  What am I missing here?  Why is this movie not on more great comedy lists?!?  Feel free to write me the riot act in the comments below and tell me how wrong I am, but I loved this one. 

The Bogart Factor

Was this the first time that Bogart truly spoofed his iconic gangster image?  I know he’d done some comedies before It All Came True, but Chips Maguire has got to be his first time playing a mobster with such an affable, slapstick edge.  Watching him stumble around his bedroom, gasping and gaping at all the stuffed birds and monkeys, is almost enough to make you forget that he’s blackmailing poor old Tommy (Jeffrey Lynn). 

Add in his relationship with the motherly boarding house proprietors, Una O’ Connor and Jessie Busley, and Chips Maguire becomes downright lovable as he begrudgingly accepts their tender loving care while he “recuperates” in bed.  

Bogart was very, very good at comedy, and I think this film is a perfect showcase for it.  Surrounded by a wonderful cast, you get a great taste of Bogart’s dry wit as he enthusiastically dances, sings, and mugs his way through this film.  (That’s right, you get to see him do a little jig, sing a chorus of “Strolling Through the Park One Day,” and take target practice at a stuffed monkey.)

Not even a year later, we get to see him play a very similar character, “Gloves” Donahue, in the comedy gangster thriller All Through the Night, but I’m pretty sure this movie was his first step towards turning some of his more notable personas on their ear. 

After making my way through two of Bogie’s recent bios, I’m a little shocked that this movie didn’t come up.  It seems like he’s really enjoying himself in the role.

The Cast

Ann Sheridan = perfection here.  Her portrayal of Sarah Jane Ryan goes toe to toe with Bogart’s dastardly gangster, and she does her best to steal every scene.  I’ve already added her to the list of actor filmographies that need to be explored much more deeply. 

Jeffry Lynn is great as Tommy, the nightclub piano man who comes home to his mother and old sweetheart.  He reminds me a little bit of a young Hoagy Carmichael from To Have and Have Not, and for once, I’m not unhappy that Bogart didn’t end up with the girl.  Lynn does very well in the role. 

Una O’Connor and Jessie Busley, as the curmudgeonly Mrs. Ryan and the flighty Mrs. Taylor respectively, play off each other, and their boarding house guests, with just the right amount of silliness without derailing the show. 

Felix Bressart as the failed magician, The Great Baldini, also has a number of scene stealing moments as he repeatedly tries to save his act from his “stooge” of a poodle who is constantly trying to trump his best tricks. 

And Zasu Pitts as the basket case boarder, Miss Flint, garners her fair share of laughs as she spends the movie crying wolf over all the men who supposedly stalk her, until she finally has her nightmares fulfilled in Chips Maguire. 

Classic Bogie Moment

There are quite a few great Bogart moments in this film.  

It’s hard not to see Duke Mantee when Bogart’s lying in bed, pulling the trigger on an unloaded gun as he aims towards a particularly freakish stuffed monkey that haunts him from the wall. 

We also get treated to some classic gangster dialogue as Bogart says lines like, “Don’t worry ‘bout me, baby!  I got myself covered both ways from the middle!”  and, “To think I might get in trouble for pluggin’ a rat like that!” 

But my favorite moment, by far, comes when nutty Miss Flint begins drinking to calm her nerves.  Sarah Jane, afraid that Miss Flint will squeal to the cops, tells her that gangsters like to strangle squealers, seal them in a cemented barrel, and throw them in the river.  Playing off Flint’s fears, Bogart stands just behind her as she’s guzzling champagne, saying offside to an imaginary cohort, “Ya got the barrel and the cement ready? Get plenty of wire!”  It’s enough to send the poor woman over the edge and out the door into the hands of the police where we get another hilarious drunken scene. 

The Bottom Line

This film is too good to be ignored.  I’m going to have to watch it again in a couple of months to see if I’m off my rocker.  I thought it was one of the best Bogart comedies I’ve ever seen.

20 thoughts on “It All Came True – 1940

  1. Sheridan did two nice films in 1947 called Unfaithful and Nora Prentiss. Nora Prentiss is probably her signature film. However, the best film she was ever in was probably Kings Row. She also did the classic comedy The Man Who Came To Dinner and just so happened to work on this film simultaneously while she was also doing Kings Row. Moving from set to set, spending the morning on one film then the afternoon on the other. Quite a feat to be doing two films at one time especially with two very contrasting roles. Two Cagney gems are Angels With Dirty Faces and City For Conquest. She sings and dances in Shine On Harvest Moon which is cool. Juke Girl with Ronald Reagan is what I consider a hidden gem of Miss Sheridan’s. It is a shame she died so young at 51 but I think heavy smoking contributed to her early demise. I think after hearing of her death Cagney once said, ” She never had a chance.” I affectionately call her “droopy eyes.” She had a special way of expressing deep emotion when she got sad with those special eyes of hers. A fine actress, I surely miss her.

    • John! It’s getting to the point where the info you leave in the comments is more enjoyable/informational than the original post! And I appreciate it every time. You’re becoming my go to guy for further filmographies!

  2. This book has some good information on The Warner Bros. actresses. It includes ANN SHERIDAN, Joan Blondell, Nancy Coleman, Bette Davis, Olivia de Havilland, Glenda Farrell, Kay Francis, Ruby Keeler, Andrea King, Priscilla Lane, Joan Leslie, Ida Lupino, Eleanor Parker, Alexis Smith, and Jane Wyman.

    The Women of Warner Brothers: The Lives and Careers of 15 Leading Ladies, with Filmographies for Each (Performing Arts)
    Daniel Bubbeo (Author)

  3. Pingback: Zasu Pitts | The Bogie Film Blog

  4. Pingback: Lewis Seiler | The Bogie Film Blog

  5. Pingback: The Gangsters | The Bogie Film Blog

  6. Like yourself this is quite honestly one of my favorite Bogart films; a good 16mm print will do for me what the genuine falcon would do for Gutman were he lucky enough to locate it. If I might hazard a guess as to why this title resonates positively with relatively few Bogart devotees my suspicion is that this is attributable to its pre TCM obscurity. For reasons which to this day are to me obscure this film was apparently not included in the WB package available to television in the 60s and 70s; a Cagney film “Ceiling Zero” was similarly relegated to this celluloid purgatory. I’ve been a film collector (16mm) and historian since the late 60s and only had the opportunity to see these titles in bootlegged prints owned by other collectors in the years prior to TCM. Why these two films were not among those contained in the TV syndication package is still mystifying to me. Nevertheless it was and still is a wonderfully entertaining though atypical entry in the Bogart catalogue. And take it from someone who’s been in love with Ann Sheridan since first seeing her, she was never lovelier than in “It All Came True “.

      • I have the movie and I want to translate it into Romanian but I miss some phrases, didn’t catch all of them to complete the translation. So an English or French or anything (.srt file) would be very helpful. Someone who already has the DVD must have a subtitle.

  7. Sorry jaywalker RO this will be of no help to you but if I may be permitted a one time gloat my long soft after 16mm print of “It All Came True” has become a reality and is on its way here. As I mentioned in my initial bleat on this subject I don’t ever remember seeing this film on television, at a revival or in a bootlegged print in anyone’s basement and I’ve been collecting for 50 years and an enthusiast even longer. I can’t adequately bridle my enthusiasm for finally having the opportunity to see this wonderful film on a big screen as did the audiences of 1940. It’s one of my all time favorite movies and would be (please forgive what I’m about to say) with or without Bogart.

  8. I’m sorry for neglecting to enter my name on these posts. Geographically I’m located in Boulder City, Nevada. Emotionally I’m still in Brooklyn and Staten Island.

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