Ann Sheridan

Ann Sheridan It All Came True Pulbicity Shot

Birth Name: Clara Lou Sheridan

Birthdate: February 21, 1915

Date of Death: January 21, 1967

Number of Films Ann Sheridan made with Humphrey Bogart: 7

The Actress

The daughter of a Texas auto mechanic, Ann Sheridan grew up as a bit of an athlete and Tomboy who would later take a page out of her father’s handbook and develop a passion for restoring cars. On track to become a school teacher until her sister entered her in a “Search for Beauty” contest, Sheridan’s bathing suit picture was enough to win over the judges and earn her a bit part with Paramount Pictures.

Twenty-four films later, Sheridan made her way over to Warner Brothers where she would end up working alongside of Hollywood’s greatest legend, Humphrey Bogart. While Hollywood dubbed her the “Oomph Girl,” Sheridan reportedly hated the nickname, but her pin-up popularity and alluring film roles did nothing to dissuade the general public from picking up on the moniker and keeping it alive.

Full disclosure – I have a heavy, heavy, crush on Ann Sheridan, so any opinion I have on her movies is deeply colored by my adoration. Having made 7 films with Bogart, this post is late in coming to ‘The Usual Suspects’ portion of the blog.

Free tonight? Pop in It All Came True and try – just TRY – not to fall in love with this woman!

The Filmography

Black Legion – 1937Ann Sheridan Black Legion

Sheridan appears as Betty Grogan, the girl-next-door girlfriend to Bogart’s best friend in the film, Dick Foran. She’s sweet enough in the role but doesn’t get a lot to work with as she spends most of her time trying to be the good girl who reforms her beer drinking boyfriend into marriage material. You can find my original write up on the film here.

The Great O’Malley – 1937Ann Sheridan The Great O'Malley

Sheridan plays school teacher Judy Nolan, the woman that tames, teaches, and eventually falls for Pat O’Brien’s stuffy cop. It’s another underdeveloped role for Sheridan, but she’s just so doggone cute and charismatic that it’s clear she did the most she could with the script. It’s fun to watch her strut her stuff to the chagrin of O’Brien as she gets to play the street-smart gal to a man who expects all women to fall into a cookie-cutter housewife stereotype. You can read my original write up on the film here.

San Quentin – 1937San Quentin Sheridan

Sheridan gets a little more to work with here as the lounge singing May, girlfriend to Pat O’Brien’s prison warden. Suffering from a few character inconsistencies, Sheridan begins the film as a sultry nightclub act, only to switch over to the innocent girl-next-door type for the rest of the film. It certainly doesn’t ruin the film, but it might have been more interesting to see her with a bit of a darker character, especially since she’s playing the sister to Bogart’s small-time hood. This was also supposedly the film where Sheridan and Bogart became good friends off screen. You can read my original write up on the film here.

Angels with Dirty Faces – 1938Ann Sheridan Angels With Dirty Faces

Sheridan plays Laury Ferguson, and while she does the best she can here, she is severely underused in this film. There are a few moments of promise at the beginning when she starts a relationship with Cagney, but after that, Sheridan is relegated to occasionally popping up to fret over the men of the film and try not to look out of place even though she has little to do. Still, she does look great, and it’s fun to see her onscreen mixing it up with James Cagney and Pat O’Brien. You can read my original write up on the film here.

It All Came True – 1940 Sheridan It All Came TrueSheridan = perfection here. I know this isn’t a great film by any means, but her portrayal of the dancing and singing Sarah Jane Ryan goes toe-to-toe with Bogart’s dastardly gangster and she steals nearly every scene that she shares with Hollywood’s biggest legend. If any Bogart collaboration captures her spitfire personality, it’s this one. From her first entrance to her final song, she was amazing. You can read my original write up on the film here.

They Drive by Night – 1940They Drive by Night Sheridan

Sheridan plays truck stop waitress Cassie Hartley who falls for George Raft after he’s more than a little persistent. Sheridan does a good job of giving us the impression that she’s a good girl who’s perhaps done some dark things in her past, and she has some really nice scenes with Raft as they share a hotel room for a night before eventually falling in love and making a life together. I can’t get enough of Sheridan, and this is one of her most solid Bogart film appearances. You can read my original write up on the film here.

Thank Your Lucky Stars – 1943Sheridan TYLS

Sheridan plays herself in this star-studded wartime musical, although she doesn’t share any scenes with Bogart. Singing Love isn’t Born It’s Made, Sheridan teaches a group of young ladies who are pining over their singleness how to proactively search for love. Wearing a slinky, silky, white dress, Sheridan’s musical number is definitely one of the highlights of the film, even with the audio turned off! You can read my original write up on the film here.

The Treasure of the Sierra Madre – 1948no Sheridan

It’s another Bogie Film Blog cameo that never was! While Sheridan is listed on IMDB with a cameo in the film as a pretty woman walking by a storefront, the woman in question is clearly not Sheridan. A few online sites say that there are test photos of Sheridan in the costume, so perhaps John Huston initially had her in the film and then decided the cameo was too distracting? Again, if anyone has any info on how this rumor got started, let me know. You can read my original write up on the film here.

* ‘The Usual Suspects’ is a regular feature on the blog where we highlight one of Bogart’s regular collaborators. Check out other posts here. *

Pat O’Brien

San Quentin O'Brien

Name: William Joseph Patrick O’Brien

Birthdate: November 11, 1899

Number of Films Pat O’Brien Made with Humphrey Bogart: 5

The Lowdown

It took me four films to warm up to Pat O’Brien, but that’s largely due to the fact that I started with his two worst Bogart collaborations (China Clipper and San Quentin) and it took a while to get their bad tastes out of my mouth. The good news is that he’s wonderful in The Great O’Malley, and even better in Angels with Dirty Faces, so if you only know O’Brien from his portrayal of Knute Rockne, as I did initially, there’s plenty more to love about him.

Lifelong friends with other Bogie Film Blog favorites James Cagney, Allen Jenkins, and Frank McHugh, it’s only fitting that O’Brien finds his way into the ‘The Usual Suspects,’ and I’m excited to dive a little deeper into the rest of his filmography down the road.

The Filmography

China Clipper – 1936

China Clipper OBrien

O’Brien plays Dave Logan, a veteran war pilot who opens his own oceanic shipping company and then proceeds to abuse his friends and family in order to see his dreams come true. Unfortunately, Logan seems to hit the peak of his character arc mid film and then flounders for the next forty minutes. After alienating his coworkers, working his father to death, and ruining his marriage, Logan learns his lesson and makes his apologies . . . only to continue down the same reckless path and make sure that all of his dreams still come true . . . okay. O’Brien is not to blame for the audience turning on Logan nearly as much as the scriptwriters are, but he just doesn’t have much luck garnering sympathy as the film’s main protagonist when we have to watch him act like a jerk, refuse to change, and still come out on top. Not a great starter film if you want to see a good O’Brien/Bogart collaboration. You can read my original write up here.

The Great O’Malley – 1937

Great OMalley OBrien

O’Brien plays the by-the-book cop, Officer James Aloysius O’Malley – a name almost as lengthy and Irish as the one he was born with! O’Malley is a man that loves to follow the rules and write tickets for everyone else who doesn’t. While he doesn’t have a ton of screen time with Bogart, it’s O’Brien that really pushes this by-the-numbers film from watchable to enjoyable. His OCD-like behavior not only makes for a number of funny moments in the movie, but it also leads to a couple of nice dramatic scenes with Bogart and his family. His final confrontation with Bogart is one of the film’s best tension-filled scenes. You can read my original write up here.

San Quentin – 1937

San Quentin 2 OBrien

O’Brien plays Captain Jameson, the new prison warden at San Quentin Prison, inheriting a riotous group of ne’er-do-well inmates – including a belligerent Bogart. O’Brien only has a one-note character to work with here, and any moments for him to display some real internal conflict (whether or not to date Ann Sheridan, how to handle an insubordinate Barton MacLane, etc.) are downplayed in favor of showing his ease and confidence as the Captain of the yard who has a plan that can solve every problem. I think it would have lent a little more weight to the film if the script had allowed him just a bit of vulnerability. For goodness sakes, he even downplays being shot at the end as if it’s a mere inconvenience! You can read my original write up on the film here.

Angels with Dirty Faces – 1938

Angels with Dirty Faces OBrien

Walking that last mile with Cagney

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O’Brien plays Father Jerry Connolly, James Cagney’s childhood friend and former fellow hoodlum. I was very impressed with O’Brien’s work in this one, as Father Jerry is certainly his most layered and well-rounded character out of all the O’Brien/Bogart collaborations. O’Brien made me believe that he was a man with a darker past, and I admit that I was caught completely off guard when he slugged a patron at a bar for giving him a hard time. It was a realistic moment of fury that helped show the fine balance O’Brien was taking to toe the line between ex-criminal and clergyman. You can read my original write up on the film here.

Swingtime in the Movies – 1938

Pat OBrien SwingtimeIt’s a blink-and-you’ll-miss-it cameo from O’Brien, appearing very briefly as himself in the film studio commissary amidst a whole lineup of film stars who are having lunch.  Bogart appears seconds later with The ‘Dead End’ Kids in a brief cameo as well, but more than likely they weren’t even in the same room at the same time.  Not really worth a watch if you’re looking for a good fix from either man.  You can read my original write up on Swingtime in the Movies here.

The Great O’Malley – 1937

The Great O'Malley

My Review

—Watchable with Solid Performances—

Bogie Film Fix:

1.5 Bogie out of 5 Bogies!

Director: William Dieterle

The Lowdown

An overly legalistic cop (Pat O’Brien) reexamines his life after inadvertently pushing a man (Humphrey Bogart) to commit a robbery.

What I Thought

I’ve really been on the fence about Pat O’Brien. After two films where I thought that he was kind of a cold fish (China Clipper and San Quentin) and one in which I thought that he almost stole the show away from James Cagney (Angels With Dirty Faces), I can now say that I’m officially on the Pat O’Brien bandwagon.

Don’t get me wrong, this is not a five-star film by any means, but O’Brien’s portrayal of an uber-legalistic cop that goes just a little too far shows the most relatable character that I’ve seen from him out of all four of his Bogart collaborations. I can see a lot of myself in the guy, actually.

Who doesn’t want the rest of the world to run according to their own rules? Who doesn’t want to be the best at their job? Who hasn’t gone just a little bit overboard trying to hold other people to expectations that no one could live up to? The moment where O’Brien threatens to ticket his own mother for littering (throwing food scraps to the birds) was one of the standout moments for me that, while played for laughs, probably showed a man who would today be diagnosed with severe OCD or even Asperger’s Syndrome.

I also appreciate the fact that Director Dieterle doesn’t go for a completely feel good personality shift in Officer O’Malley, as his change in demeanor comes slowly, bit by bit, making sure to point out that even though O’Malley can appreciate children on an individual basis, he’s not all that good with them in large groups. He’s also not the smoothest with women, as he seems to think that standup, tried-and-true, unwavering chivalry will work in an age when the streetwise fast talking dames (Ann Sheridan) are willing to go toe-to-toe with any man, even a cop.

The Bogart Factor

Down on his luck John Phillips is a small part, and definitely leans towards the two-dimensional side, but again, if you’re going to have to watch someone play a two-dimensional blue collar crook for a few minutes, you can do a lot worse than Bogart! Plus, there’s a glimpse of sweet Bogart madness that seeps out after he’s released from prison and goes after O’Brien when he thinks the cop is badgering him. Not a must-see for Bogart fans, but the film is watchable and has its moments, so you’ll come out even in the end!

The Cast

Pat O’Brien plays the by-the-book cop, Officer James Aloysius O’Malley. With a name like that, can you blame the guy for developing a few glaring character flaws? Not unlike his role in China Clipper, this was a part that could have left him just as unlikable at the end as we found him in the beginning, but the script and director do well enough making sure that O’Brien’s judicious cop gets to learn his lesson and make a few changes. Again, it’s a great performance by O’Brien in a film filled with two-dimensional characters, so in my opinion, he saves the film and pushes it into the “enjoyable” category.

Ann Sheridan plays school teacher Judy Nolan, the woman that tames, teaches, and eventually falls for O’Brien’s stuffy cop. It’s another underdeveloped role for Sheridan, but she’s just so doggone cute and charismatic that it’s clear she did the most she could with the script.

Child actor Sybil Jason plays Bogart’s daughter, Barbara Phillips – the little girl who steals the heart of Officer O’Malley and helps pull him over to the good side. Jason is about as strong here as you could expect a child actor to be, and I have to admit that I laughed out loud every time she referred to her friend Tubby (Delmar Watson) by name. Oh, how times have changed. You give a kid that nickname today and you’d be expelled from school.

There are numerous other solid character actors to mention here, but I’m going to give the last slot to Bogie Film Blog favorite, Donald Crisp. Crisp’s role is small, but very solid, as usual. He plays O’Brien’s commanding officer, and spends every one of his few moments in the film trying to get O’Brien to recognize that a cop needs as much heart as he does brains. If my research is correct, I can now start his write up for ‘The Usual Suspects’ as this is the last film I needed to watch from his Bogart collaborations. Crisp has been so good in every role, no matter how great or how small, and I’m eager to dive into the rest of his filmography.

Classic Bogie Moment

It’s a pretty small part with not a lot to work with, but as always, Bogart finds a way to do a lot with a little. In the scene where he’s convicted to prison, Bogart hangs his head in despair. But if you’ll notice, just below his ears and about an inch forward, his jowl muscles are clenching and releasing, clenching and releasing with anguish – hardly even noticeable. It’s his only movement for several seconds of the film and it adds a painful sense of reality to the moment. While it might be a tiny acting choice, Bogart had an incredible talent for adding little nuances to smaller scenes that most actors would either overdo, or not even bother to think about.

The Great O'Malley

The Bottom Line

This one’s a far cry from Bogart’s best work, but it’s a fine way to pass an evening. Pair it up with Angels With Dirty Faces for a double feature, and spend some time learning to appreciate Pat O’Brien like I did!