—Some Good Chuckles and Lots of Great Personality—
Your Bogie Film Fix:
Outtakes from some of Hollywood’s greatest films with many of Hollywood’s biggest stars.
What I Thought
So apparently every Christmas, Warner Brothers would host an employee party and one of the treats was a special blooper reel cut together from the year’s previous films. The notion of “outtakes” is nothing new to modern day cinema enthusiasts, as many current DVD’s actually include deleted and flubbed takes as bonus content. Some comedies even include them in the closing credits.
So what’s so special about these? Quite a bit, actually.
Unused film was rarely kept – or kept in well condition, so anything that hit the cutting room floor in Classic Hollywood often also ended up in the cutting room trash can. Add into the mix that professionalism and preparedness was a coveted commodity among actors, and the outtakes from the Classic Hollywood era have a much different feel and tone to anything we’ll see as bonus content nowadays.
Especially during Bogart’s run, World War II put the squeeze on money and supplies for the entire country, Hollywood included, so film stock was too valuable to waste. With electric power being rationed out and cut off in the evening because of potential air raids, it’s easy to understand that the old adage time is money meant a little more back then. (One outtake from 1949 even includes the director yelling at Danny Kaye, only slightly seriously, about wasting film stock.) As the years go on, the actors and crews seem to loosen up quite a bit.
Many of the bloopers in these collections involve angry cursing from the actors after flubbed lines. “Goddamn it!” and “Son of a bitch” seem to be the two favorite epitaphs of most of the actors. Save for some light hearted actors like James Cagney, none of these performers seem all that amused by their mistakes. In fact, the Breakdowns’ editors do most of the comedic heavy lifting as they add in occasional sound effects (raspberries and goofy bells), and play around with the footage at the expense of the actor’s performance.
If I had to hazard a guess, the modern advances in film technology that have brought us into the digital age are a big factor in what’s made current day outtakes so readily available, and apparently more enjoyable from the actor’s point of view.
Not must sees by any stretch of the imagination, but getting to hear Jimmy Stewart say “Son of a bitch. . .” in that soft and simple laid back manner will make you glad you gave these Breakdowns a watch.
The Bogart Factor
His most enjoyable outtakes for me were from 1938’s Swing Your Lady, where he actually seems to be enjoying himself despite the mistakes.
From what I could tell, here’s a rundown of the films that Bogart outtakes appear from:
Breakdowns of 1936 – Bullets or Ballots, and Two Against the World
Breakdowns of 1937 – China Clipper
Breakdowns of 1938 – Swing Your Lady
Breakdowns of 1939 – You Can’t Get Away with Murder, Dark Victory
Breakdowns of 1940 – The Roaring Twenties
Breakdowns of 1941 – The Wagons Roll at Night
Breakdowns of 1942 – The Big Shot
Breakdowns of 1944 – To Have and Have Not, Conflict
Blowups of 1946 – The Big Sleep
Blowups of 1947 – Key Largo
Blowups of 1949 – Key Largo
The Petrified Forest, High Sierra, and a couple other Bogart films are featured sans Bogart flubs.
Barton MacLane cracks up just as angrily as the characters he plays on screen!
Edward G. Robinson seems to be one of the few classic era actors that could have a little fun with a mistake, adding his own little raspberry sound to the end of flubs.
Bette Davis always seemed so composed in her Bogart collaborations that it’s kind of fun to see her lose her cool once in a while.
Allen Jenkins shows up in more than a few of the shorts, and I’ll never complain about getting to see some extra Jenkins! In the 1937 edition, enjoy watching him get goosed by an ironing board . . .
James Cagney is the one that really steals the show in most of these. Nearly every time he goofs up, he gives the camera a mischievous little smile as if he’s enjoying his outtakes more than he should! Plus, his waltz with George Raft when they should be fighting is so charming that it might just knock Raft up a few pegs on your likability meter.
Pat O’Brien comes second only to Cagney in having a pretty jocular attitude towards his line flubs, laughing most of them off. In the 1940 edition, it’s hard not to love the guy when he makes fun of his own toupee falling off!
Ronald Reagan . . . “Well that goddamned thing locked again.” Nuff said.
All I can say about Ann Sheridan is that if I would have been alive during her heyday, it would have wrecked me, wrecked me I tell ya, that I couldn’t have her. What a gal. So cute. So funny. All right, I need to go find a Sheridan film to pop in right now.
Jimmy Stewart has my favorite moment from any outtake when he slowly turns towards the camera after flubbing a line in Breakdowns of 1941 and says, “Son of a bitch . . .” So crazy to hear those words come out of his mouth in such a wonderfully resigned and cynical manner! Almost as good is his reaction after a scene in which the camera follows his exit when he wasn’t aware of it.
Director Edmund Goulding has a wonderful outtake as he slips into Joan Fontaine’s wardrobe for just a bit to show her how to act in Breakdowns of 1942.
Also appearing are George Brent, Paul Muni, Alan Hale, Miriam Hopkins, Claude Rains, Barbara Stanwyk, John Garfield, Gary Cooper, Fred MacMurray, Errol Flynn, Wayne Morris, and even Bogie Film Blog favorite Ben Welden! Plus, many, many more.
Danny Kaye will win you over and make you laugh in less than three seconds, guaranteed, in outtakes from 1949’s The Inspector General.
Classic Bogie Moment
Just try and tell me that this little moment of levity from a Key Largo outtake doesn’t warm the cockles of your heart:
The Bottom Line
Lots of fun for any fan of classics.